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- RAFAEL TRIBOLIRafael Triboli, a self-taught artist born in Porto Alegre and currently residing and working in São Paulo, emerges as a compelling figure within the artistic landscape. His creative journey began in the southern region of Brazil, where he delved into the study and experimentation of industrial processes and traditional woodworking techniques, ultimately crafting his initial collection of authorial pieces. In 2018, Triboli relocated to São Paulo, a city known for its vibrant artistic scene, where his artistic vision flourished. Inspired by the works of influential figures such as Donald Judd and Le Corbusier, he channeled his creativity into the development of a remarkable collection in 2020. Paying homage to these iconic artists, Triboli’s pieces exude a distinctive blend of inspiration, originality, and craftsmanship. Moreover, Triboli has demonstrated his versatility by venturing into the realm of interior design. Notably, he spearheaded the interior design project for SINGA, drawing inspiration from the groundbreaking book “Autoprogetazzione” by Italian designer Enzo Mari. This endeavor sought to embody the ethos of self-construction and a steadfast opposition to mass production, aiming to democratize design. By integrating thoughtful compositions and careful curation, Triboli injected his unique perspective into the project, stimulating a fresh and inclusive approach to…
- PEDRO ÁVILAPedro Ávila, born in Brasilia, is a highly accomplished artist and designer who has honed his craft through extensive academic pursuits. Holding a bachelor’s degree in industrial design from Senac (2012) and specializing in sculpture, modeling, and foundry from Central Saint Martins (2019), Ávila’s educational background has provided him with a solid foundation for his artistic endeavors. From the outset, Ávila has exhibited a keen appreciation for the sculptural nature of objects. His creative journey began in 2015 when he co-founded Estúdio Orth, a prominent store in Brazil that not only showcased his furniture and object designs but also served as a platform for his first forays into authorial work. This early experience laid the groundwork for his subsequent ventures, including his involvement in Noda, a collaborative initiative founded in 2019 where he curates and develops utilitarian objects. Ávila’s artistic prowess has garnered considerable recognition and acclaim. In 2020, Forbes magazine featured him as one of the standout “Under 30” professionals of the year, highlighting his exceptional talent and contributions to the creative landscape. Building upon this success, Ávila embarked on a new phase of artistic exploration at the end of 2021, delving into sculptural studies encompassing a diverse array…
- ANDREW DE FREITASAndrew de Freitas, born 1986 in Aotearoa (New Zealand) to parents who immigrated from Trinidad and Tobago. Studied art and philosophy at The University of Auckland. His work has been presented in solo exhibitions in venues such as Solo Shows in São Paulo, i:Project Space, Beijing and Nassauischer Kunstverein Wiesbaden. Group exhibitions and screening programs include venues such as the Hamburger Bahnhof, Berlin; Sishang Art Museum, Beijing, Galeria Marli Matsumoto, São Paulo; Galerie Parisa Kind, Frankfurt am Main; Videobrasil, São Paulo; Museum für Moderne Kunst, Frankfurt am Main; École Nationale Supérieure d’Arts de Paris-Cergy and Slade School of Fine Art, London. Freitas uses a wide range of tools and production processes in an overlapping and intertwined manner. His studio practice has developed over a wide range of contexts, and is always sustained also through furnishing services for other artists, architects, and also in film and theater. In 2021 he formed Ateliê Arte de Obra as an extension of his art and building practices, to equip and maintain space for high quality and differentiated projects. A focus is placed on bringing more richness and charm to our everyday experience with objects and images. The studio team currently consists of Manoel Fernandes…
- JACQUE FAUSHailing from São Paulo, Jacque Faus (1989) in 2013, earned her visual artist degree from the esteemed Faculdade Belas Artes de São Paulo.Faus’s creative focus centers on harnessing the innate unpredictability and transformative qualities of clay to shape captivating and evocative sculptures. What distinguishes Faus’s artistic practice is her organic approach to sculptural creation. Unlike traditional methods relying on meticulous planning and preconceived sketches, Faus embraces the inherent plasticity of clay and allows her creations to evolve naturally through a process of assemblage. By immersing herself in the serendipitous and unstable nature of the material, she embarks on a profound exploration of its intrinsic qualities. Faus’s artistry celebrates the malleability of clay, relinquishing rigid control to embrace the interplay between intention and the spontaneous nature of the medium. The resulting sculptures beautifully blend her artistic vision with the clay’s inherent qualities, resulting in captivating and harmonious forms. Through her work, Faus invites viewers to appreciate the imperfections, surprises, and unique expressions that emerge from the fusion of human creativity and the organic qualities of clay. Her sculptures serve as a testament to the inherent beauty that arises when artists surrender to the innate potential and serendipity of their chosen materials.
- JOAQUIM TENREIROJoaquim Tenreiro (1906-1992) emerged as a prominent figure in the field of furniture design, showcasing his immense talent and skills within a family deeply rooted in the rich tradition of furniture-making. Born in Portugal and later relocating to Brazil in 1928 at the age of 22, Tenreiro embarked on a remarkable career starting his work on Laubisch & Hirth. These establishments primarily catered to affluent Brazilian families seeking furniture that adhered to conservative designs, heavily influenced by traditional European styles. However, Tenreiro’s vast experience in arts, crafts, and furniture design naturally deviated from these bourgeois expectations. Consciously reacting against what he perceived as the provincialism inherent in a colonized society, Tenreiro proposed a contemporary design language that aimed to redefine Brazilian furniture. He ardently advocated for furniture that exhibited a “formally light” aesthetic, characterized not by physical weight but by an elegance and functionality that transcended mere materiality. In the early 1940s, Tenreiro took a significant step forward by establishing his own furniture studio, Langenbach & Tenreiro Ltda, which marked the turning point in his career, garnering increased recognition for his visionary work. However, it was during the 1950s that Tenreiro truly emerged as a master furniture designer in Brazil,…
- LINA BO BARDILina Bo Bardi, a visionary architect, rose to prominence during her remarkable journey. Despite being among the few women of her time, she defied societal expectations and successfully completed her studies in graphics and drawing at the Artistic Lyceum. Her unwavering determination led her to obtain a degree in architecture from the University of Rome in 1940. However, faced with challenges due to her affiliation with the Italian Communist Party, Bo Bardi and her husband, Pietro Maria Bardi, chose to embark on a new chapter in their lives by relocating to Rio de Janeiro, Brazil—a place that would later captivate their hearts. Settling in Brazil, Bo Bardi and her husband embraced a fresh sense of purpose. Bo Bardi passionately pursued the design of private and public structures while collaborating with her husband to establish the influential architecture magazine, ‘Habitat.’ This publication embodied her vision of creating homes and interiors that fostered human potential and well-being. Encountering setbacks in finding a suitable factory to bring their furniture designs to life, Bo Bardi and her husband took matters into their own hands in 1948. They co-founded the ‘Studio de Arte Palma’ alongside Giancarlo Palanti, establishing the ‘Pau Brasil’ factory. In this venture,…
- PERCIVAL LAFERPercival Lafer, a renowned Brazilian architect, designer, and industrial designer, was born in 1936 and studied at the Mackenzie Presbyterian University College of Architecture in São Paulo. Following his graduation, he assumed the leadership of LAFER, his late father’s furniture company, alongside his brothers. Established in 1927, the company specialized in the trade of furniture pieces. Lafer gained significant recognition for his chair and sofa designs, characterized by the harmonious combination of low-profile hardwood structures and plush leather upholstery. His primary objective was to create accessible furniture items that would bring good design to the masses. In 1961, Lafer introduced the MP-1 armchair, which rapidly captivated an audience unaccustomed to consuming sophisticated furniture pieces. The MP-1 chair introduced novel shapes, finishes, and materials, incorporating metal profiles in conjunction with wood. This groundbreaking creation paved the way for a series of new products, effectively dispelling the prevailing notion that design was incomprehensible to the general public. Consequently, Percival Lafer revolutionized the Brazilian furniture market. It is worth noting that the initials “MP,” signifying “Patented Furniture,” were subsequently incorporated into the company’s logo, solidifying the brand as MP Lafer. With an unwavering commitment to comfort, ergonomics, and aesthetics, Percival Lafer dedicated the…
- GERALDO DE BARROSGeraldo de Barros (1923-1998), a multifaceted artist hailing from Brazil, embodied a diverse range of creative disciplines, including painting, photography, furniture design, and plastic art. His expansive repertoire also extended to engravings and industrial design. Notably, he played a pivotal role as one of the founding members of Grupo 15, a pioneering studio established in the heart of São Paulo in 1947. Additionally, his involvement in the establishment of Grupo Ruptura marked a significant milestone in the advent of concrete art in Brazil. In 1954, de Barros furthered his innovative impact on Brazilian design by founding the Unilabor Furniture Cooperative, an endeavor that not only revolutionized design practices but also promoted a participatory approach among employees. This unique cooperative structure empowered workers by granting them a stake in the company’s profits and decision-making processes. With a remarkable departure from the established norms of classic, colonial, and art deco furniture, de Barros redefined the trajectory of design in Brazil. By skillfully employing materials such as iron, wood, and Formica, he introduced straight, clean lines and impeccable finishes, effectively shattering prevailing paradigms. In 1964, de Barros’s visionary spirit propelled him to establish Hobjeto, a furniture factory characterized by a personalized sales system…
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